Multiples
For me, it's a fun and challenging mental exercise to make triptychs and diptychs, respectively 3- and 2-panel photographs. Ideally, each panel is interesting or attractive alone and the whole is greater than the sum of its parts. I use this art form to tell stories, make comparisons, show
time progressions and varying perspectives, create abstracts by splitting a whole (deconstruction), and create new objects by rearranging parts (reconstruction).
I am currently experimenting with chronophotographs (successive movements in a single image) and interwoven photographs.
Distorted macro- and microscopic aspects of a large kinetic neon art installation resemble an endless field of stems-up daisies.
Whether viewed over-the-shoulder or head-on, all action culminates in the "Ta-Da" moment.
Black & White Magazine, #176
A racquetball player and his shadow play in this and an alternate universe.
2025 Creative Quarterly #82, Photograph, Runner Up
A racquetball player and his shadow play in this and an alternate universe.
Nostalgic reflection of the past when grandfather inhabited his cottage. The more saturated present-day cottage hasn't changed much, but lacks his presence.
Strips of two women holding blue parasols cause their worlds to collide.
14th Color Awards, Architecture, Nominee
"Whoever sacrifices to any god other than the LORD must be destroyed."
- Exodus 22:20 (NIV)
In this progression, we see the same curvaceous server with her tray of fast food. Is she getting more and more drunk or are we? Are we aware of any distortion in our worldviews?
